Average User Rating: 0 Vote(s)
 
Average User Rating
Average User Rating
Average User Rating
Average User Rating
Average User Rating
Average User Rating
Average User Rating
Average User Rating
Average User Rating
Average User Rating
Coverscan of The Music Machine
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Distributor Alpha (Intervision)
Catalogue Number A-A0361
Release Series
Release Date July 1981
Duration: 86m 32s
Printed Classification
Notes Released first as a complete carton and later as a wrap-around sleeve
User Reviews:
by Lee James Turnock
In 1977, a low-budget film called [i]Saturday Night Fever[/i] had taken the world by storm and relaunched the Bee Gees as the reigning kings of the disco movement, so it was only a matter of time before someone, somewhere decided to cobble together a cheapskate cash-in knock-off - and by jingo, it turned out to be not only rubbish, but British rubbish! Step forward Brian Smedley Aston ([i]Vampyres[/i]) and James Kenelm Clarke ([i]Expose[/i]), who hired ace cinematographer Phil Meheux ([i]the Long Good Friday, Scum[/i]) to shoot the thing (sadly, he didn't shoot it dead) and future [i]Who Dares Wins[/i] helmsman Ian Sharp to direct. The end result, [i]the Music Machine[/i], sank virtually without trace and I wouldn't have heard of it myself if I hadn't been watching a television documentary called [i]the Day Britain Turned Disco[/i] and saw [i]Coronation Street[/i]'s Denise Welch boasting that her then-boyfriend, Gerry Sundquist ([i]Don't Open Till Christmas[/i]) played 'the John Travolta role'. Although I'm not one to speak ill of the dead - Sundquist committed suicide in 1993, jumping in front of a train - it must be pointed out that he was an odd choice to play the role, since he clearly can't dance and the frequent use of a double for the disco hoofing scenes is crashingly obvious. As for the rest of the cast, television buffs will have a field day spotting the likes of Brenda Fricker ([i]Casualty[/i]), John Gorman ([i]Tiswas[/i]), Mark Wingett ([i]the Bill[/i]), Gary Shail ([i]Metal Mickey[/i]) and other familiar faces, whilst Esther Rantzen pops up playing herself and Patti Boulaye provides the 'star power'. [i]The Music Machine[/i] couldn't be any more end of the pier if it came complete with a fishing rod and a Kiss Me Quick hat, and fans of British kitsch should definitely give it a look.